I was a big fan of Flynn Berry’s “Under the Harrow,” so I was delighted to score an ARC of her newest book, “A Double Life.” The novel is loosely based on the real life mystery of Lord Lucan, a British peer who disappeared after being suspected of the brutal murder of his children’s nanny and the assault of his wife during an ongoing custody dispute. To this day, it is unclear if he committed suicide or escaped England with the help of well-placed friends. He has never been found. So we see Jens as a child, a gentle, reclusive soul who loves the forest that surrounds his remote home, and feels a “deep sense of responsibility to preserve things. To keep things as they were.” We see this tendency grow until “a particular fear began to haunt Jens: the notion that he might inadvertently discard something irreplaceable”. We watch as his house slowly fills up with things he loots from his distant neighbours. His beard grows, fills with cobwebs and, possibly, creatures; his wife, Maria, becomes so large she is confined to a single room; Liv runs wild, a dagger at her waist, kept hidden from the world. Claire as a character is underdeveloped and not fleshed out. She sounds a little unhinged at times, but that may be due to her brother's opioid addiction and her obsessive quest to find her father. Just started this book. I read an earlier book by this author and I am reminded of his superior, snotty tone. I suppose that his research is solid. But his snark and insults toward other books about Dylan are off-putting. He seems to think he alone is the Dylan expert. Gabriela has the “double life” and the novel endeavours to explain how she has ended up in this position.

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Recommended to readers who enjoy domestic thrillers that aren’t too intense. This is a 3.5 but rounding up to 4 for keeping me entertained. Returning from a seven month stint in Moscow, she finds certain aspects of her life altered which leads to a big change in her life. My account, therefore, of involvement in some of the political developments of the following sixteen years or so is the account of a man who led the double life of a barrister and a politician, and who, if he achieved any success in either role, owed it all to having the understanding and constant support of a wonderful wife. And so at some point between 1997 when I quote that paragraph in my book, and 2004, when the book was published, Dylan had a complete re-think and decided that history is bunk. I’m guessing what happened is he started work on Masked and Anonymous. But of course it’s legitimate to do it in Masked and Anonymous because it’s a work of fiction. But to take that and run with it in what’s supposed to be a memoir, it’s clearly a conscious decisions. And it’s one he made after he started conceptualizing Chronicles. I don’t understand why he did it. The ending is rather abrupt, but that is to be excused, given that it's a first volume of a longer product. I will probably read the second one.It would be a huge amount of work. I’d have to let the office agree to let me quote unpublished lyrics, which is a whole work in and of itself, of a big scale. To be honest, it just wouldn’t … I’ll leave it to someone else to do that. I read the author's previous book, and while it was a reasonably enjoyable read, I thought it was slow going, with an ending that left me confused. However, I was still curious about her newest novel when I requested the ARC. Heylin gleefully takes up arms in the vicious, decades-long internecine wars of the Dylanologists, fought over miniscule details of the canon. Certainly the endless complaints vis-a-vis which takes of which songs made which album strongly suggest Dylan’s career would have been more rewarding had one C. Heylin been consulted.

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A Double Life tells the parallel stories of two women, Isobel, a journalist, and Gabriela, who works for the Foreign Office. It started off promisingly but then unravelled rapidly. Somerset-based Clinton Heylin already has at least 10 works about the music legend on his CV, but before you can say “Oh No! Not Another Bob Dylan Book By Clinton Heylin”, here comes the remarkable The Double Life of Bob Dylan Volume 2: Far Away From Myself.Gabriela makes a series of unwise personal and professional choices and her life starts to unravel. Meanwhile, Isobel continues 'investigating' but doesn't really achieve much. Chronicles has all this stuff about the American Civil War and Roman and Greek authors. This was a reflection of his mindset when he wrote the book. They are things that fascinate him now, or certainly fascinated him in 2000, not things that fascinated him in 1962. Once banished from the literary canon, this new release of her only novel includes both her prose and poetry that offer astute observations of Russian society. Christian Science Monitor A Double Life is an appealing novel, offering a colorful, penetrating portrait of Moscow's high society in those times, especially the lives of the wives and women in it. M. A. Orthofer, The Complete Review A Double Life has plenty to say about how the marriage market deprived young noblewomen of outward agency and constrained their inner lives. . . . Heldt’s translation beautifully conveys the prose narrator’s astringent tone as well as the emotional intensity of the dreamworld’s poetry. Katharine Hodgson, Times Literary Supplement A Double Life is first and foremost a psychologically driven character study, which examines class and privilege and the role that plays in the crime that was committed. This kind of reminded me of something like The Secret History or Social Creature or The Riot Club, but instead of telling the story from an insular perspective that indulges in the fantasy of living that kind of possibly elite life, it's like if The Secret History had been narrated by Richard's mother, or someone else who was close enough to touch that lifestyle without actually living it. Consequently it's not quite as glitzy and glamorous as any of those other stories mentioned, but it gives us a protagonist who's easy to relate to and root for. The plot is gripping as well, though it's not particularly twisty - but that's fine as Berry's writing keeps you engaged throughout.